The Fishing Way

Twice-weekly Hemingway-style fishing stories.

Every Monday and Thursday at 10 a.m. UTC.

First Push of the Nor’easter on Northwoods Bog Lakes — vintage illustration inspired by northwoods bog lakes hemmed in by tamarack chasing king salmon staging near river mouths feeling the first push of a nor’easter, slow-trolling planers along weed edges

First Push of the Nor’easter on Northwoods Bog Lakes

Dawn breaks over the bog lakes, tamaracks black and spindly on the horizon. The water’s glass holds a quiet breath. A light preciptation or two threads the air, salt in the scent even inland. The river mouths stay stubborn and certain, where the current runs the color of old pennies. We wade in with a slow rhythm, slow-trolled lines coiled like lies ready to be told. The planers ride the weed edges, not fast, not loud, just a gliding whisper under the surface.

The northwoods tell the same tale every season. Fog lifts from the bog and reveals a strip of sky that seems too pale for the day. The tamaracks lean toward the wind in their dry, piney way. The water stirs with each breath of the river and each small fish that darts beneath the surface. There is a sense of waiting here, a patience earned in long, cold mornings when you learn to read the hush between gusts. When the sun finds the edge of the weed, you know to slow and cast with your hands rather than your mind.

We chase king salmon staging near river mouths. They move with a stubborn grace, not scared of the cold, only wary of a bad day and a heavier line. The boats drift along the weed lines, the line nearly invisible, the tippet a thread through the ledger of the lake. The northward wind grows insistent, and the first push of a nor’easter arrives as weather in the mouth of the day. Clouds press low across the tamaracks. The water changes its color, from green as pine needles to dull blue-gray, and a hush settles again, as if the wild thing paused to measure its own breath.

The slow-troll is patient, the planer a quiet engine of sport. We pull the line along weed edges where the lake narrows, then let it sit and vanish into the depth. The lake gives us little, but the well-placed cast returns with the memory of a strike. A fish will rise, and then vanish. The planers ride the current like old ships, gliding through the fern and the ripple, then both hands on the rod, the mind clear and simple.

Night gathers. The wind becomes a constant, the bog a soft chorus of needles and water. The first chill brushes the sleeve. The nor’easter sounds like a distant, honest weather report, coming as a warning and a promise at once. We stay with it, patient and stubborn, as if the lake itself were a river we had learned to listen to in the dark.

Gear Used

The lesson from today is simple. Patience pays, and so does the right gear at the right edge of weed. We learned when to push and when to ease. The wind, the water, the read of the river mouth—these speak softly and insistently. If we listen, we catch the quiet message between casts, the one that says stay steady and don’t hurry the water to comply.

The lake keeps its own pace, and so must we.